A woman in profile under one overhead spotlight, haze glowing around her

FR 01 / 03

Spotlight study

Campaign stills · knitwear label

  • Photography
  • Moving image
  • Art direction

We Frame What Language Leaves Unsaid

Ostra · a two-person photo and film studio for independent labels

Selected frames ↓

00 — The studio

Two people, one blacked-out room and a lot of haze.

Ostra makes brand films and campaign stills for independent labels. We light from behind and from the side, keep crews small, and stay with a project from the first treatment to the final grade.

Opening credits

Direction & camera

Ines Marrow

Light & stills

Teo Calder

Edit & grade

Both, at one desk

Haze & coffee

Shared, strictly

Address

Unit 4, Lantern Yard

Labels we tend to shoot for

  • Knitwear
  • Skate
  • Shirting
  • Headwear
  • Small-batch fragrance
  • Record labels
  • Ceramics
  • Natural wine

01 — Roll 24 · selected frames

Selected work, straight off the contact sheet

24 / 01A

Stills

A woman in a patterned headwrap, lit from behind against an orange drape

Pick

Ember

Headwear label · spring lookbook

24 / 04A

Film

A dancer crouching in teal haze, framed between two cameras on set

Pick

Teal Room

Movement label · 60-second brand film

24 / 07A

Film + stills

A dancer leaping through amber smoke, trailing dark chiffon

Pick

Drift

Dancewear label · campaign film and stills

24 / 11A

Stills

A face in profile, carved out of black by a thin green rim light

Pick

Verdant

Skincare label · launch stills

24 / 15A

Film

A singer arching back into stage haze, warm light along the floor

Pick

Low Smoke

Record label · live session film

24 / 19A

Stills

Four empty tumblers glowing amber in front of a lit backdrop

Pick

Amber Hour

Glassware studio · product stills

24 / 23A

Stills

A man in hard side light, profile against pure black

Pick

Contour

Shirting label · portrait series

24 / 31A

Stills

An empty wine glass and two oranges in low raking light

Pick

Still, With Oranges

Natural-wine label · still life

8 of 36 frames shown · names changed, labels kept private

▢ Grease pencil = the frame that ran

02 — Now showing · film 07

Shadow Study

A woman in a wide-brimmed hat on a bar stool, her shadow thrown large across a curved studio wall

01:32 · 2.39:1 · colour · stereo

00:00:35

00:01:32

A ninety-second film for an independent millinery label. One stage light, one chair, one hat, and the shadow doing most of the acting. Shot in a single day at the studio and graded warm-black, with a set of stills pulled from the same light.

Client Millinery label

Shoot 1 day, studio

Delivered Film, 3 cut-downs, 24 stills

Cue sheet

  • 00:00:00

    Cold open — the light finds the brim

  • 00:00:14

    The shadow arrives before she does

  • 00:00:41

    Gloves, a crossed arm, a slow turn

  • 00:01:08

    Wide: the room goes dark around her

  • 00:01:26

    Title card, held for four seconds

03 — What we make

Stills, film, and the finish in between

[a]

Stills

Campaign stills

Campaign and lookbook photography lit for mood first and product second, so the garment still reads in the dark.

  • Lookbook and campaign frames
  • Product on black and on colour
  • Crops for web, print and social
  • Contact sheets from every set

Typical shoot · half a day to two days

[b]

Film

Brand films

Films from fifteen seconds to three minutes, shot with the same light as the stills so a campaign holds together.

  • Treatment and shot list
  • One hero film plus cut-downs
  • Widescreen and vertical masters
  • Licensed music, chosen with you

Typical project · two to four weeks

[c]

Post

Edit, grade, retouch

Edit, colour grade, retouching and sound mix, done at our own desk by the same two people who shot it.

  • Offline edit with two review rounds
  • Colour grade matched to your palette
  • Retouching to an agreed brief
  • Masters in every format you need

Also on footage you shot elsewhere

A studio set mid-shoot: reflectors, a tinsel backdrop, a monitor and a camera on a dolly in blue light

On set · day two of three

04 — How a shoot runs

Five steps, one small crew

01

Brief and treatment

You send the brief; we answer with a written treatment, references and a light plan.

Week 0

02

Light test

Half a day in the studio with stand-ins to lock the look before anyone is paid to wear it.

Week 1

03

The shoot

One to three days. Stills and motion from the same set-ups; sit in or watch the monitor feed from home.

Week 2

04

Selects and edit

Contact sheets within two days of the shoot, a first cut of the film within a week.

Week 3

05

Grade and delivery

Colour, retouching and masters in every format, named the way your team files them.

Week 4

Send us a brief

A treatment back within three working days

05 — The room

A black room built for backlight

The studio sits behind a roller door in Lantern Yard: a cove we can paint black or white in a morning, a hazer, and enough power to run tungsten all day. Every Ostra shoot happens here unless the brief needs a street, a field or a stage.

Cove

7 × 5 m, painted black or white

Height

4.2 m to the lighting grid

Light

Tungsten fresnels, two strip boxes, LED tubes

Haze

Water-based, low residue

Blackout

Full, day or night

Load-in

Roller door and one van bay

A figure on a chair between an orange and a blue strip softbox in a dark, hazy studio

Plot · key 45° camera left, warm · rim 120° right, cold · haze 30%

06 — Rates

Priced per brief, never per frame

Every quote is fixed before the shoot and itemised. Studio hire, travel and talent are passed on at cost, with receipts.

Format

What is included

Typical length

Budget band

Half day

Stills

Up to four hours, one set-up and twenty graded frames.

4 hours

Band A

Full day

Stills

Two or three set-ups, forty graded frames and the contact sheets.

1 day

Band B

Brand film

Film

Treatment, one shoot day, a 60 to 90-second film and three cut-downs.

2–3 weeks

Band C

Film and stills

Both

One shared day: a hero film and a stills set from the same light.

1–2 days

Band C

Post only

Edit · grade

Edit, grade or retouching on footage or frames you already have.

Per project

Band A

Band A · a half-day budget

Band B · a full-day budget

Band C · a campaign budget

07 — Enquiries

Tell Us What The Light Should Say

A woman's face half lost in shadow, one cheek and shoulder caught by a hard light

What to put in a brief

  • 01

    The label, and what it sells

  • 02

    What the pictures or film are for

  • 03

    Dates that cannot move

  • 04

    A rough band: A, B or C

  • 05

    Three images you love, from anywhere

Write

hello@example.com

Call 555-0142

Reply within two working days

Booking from January

Studio log

  • Last shoot

    Knitwear lookbook, two days

  • On the desk

    Grade for a record label

  • Next free day

    Early January